![]() The story says that Verónica used her veil to wipe the sweaty brow of Jesus and his is image later appeared on the cloth.Ĭucuruchos outside the Iglesía San Francisco, Historic Center, Quito, Ecuador The origin of Verónica comes a story that never made the Bible. Towards the end are the Verónicas, women dressed in purple dresses with purple veils. Several different versions of Christ carrying the cross, accompanied by Roman Soldiers, also join the procession. Hundreds of penitents, most dressed in dark purple robes with coned hoods and therefore called Cucuruchos, exit the church first, many holding images of the Crucifixion or cradling small dolls meant to represent the baby Jesus. The procession begins and ends at the entrance to one of the oldest churches in Quito, the Iglesía del San Francisco, which is also home to Jesús del Gran Poder. This year, one Christ fell to the ground unable to continue and found himself tied to the cross and carried atop the backs of his fellow parishioners. Many accept help from fellow penitents and several carry the cross together. Upon the return, the small pillow meant to help support the weight of the cross no longer helps protect sore shoulders, despite shifting the cross from side to side. The most difficult passage is for those who attempt to shoulder Christ’s cross. Many of the penitents walk the route barefoot, some dragging heavy metal chains, others carrying heavy loads. The entire route is approximately 5 kilometers long. As it passes, many of the watchers will join the procession from behind and complete the route that goes by the Plaza Grande, the Antiguo Círculo Militar, and continues up, passing the park in front of the Basilica del Voto Nacional, until it reaches José Riofrio where the procession will return to Plaza San Francisco via Venezuela, passing once again the Basílica and then the Palacio de Carondelet before reaching the steps of the church. The entire path is lined with people waiting to see it. This aged statue travels about 55 city blocks every year. He took the old, dusty statue and gave it new life and, in turn, Jesus del Gran Poder brought new followers to the church, both literally and figuratively. It began in 1961 when the Franciscan Priest, Francisco Fernández, searched for a single image that would help his congregation connect to their faith and found it waiting in a storage room of the Iglesía San Francisco. And although the statue itself is very old, the procession is relatively new. It does not store any personal data.In Quito, Ecuador, Jesús del Gran Poder refers to a wooden sculpture from the 17th century that has become a symbol of faith to thousands of Quiteños, many of whom have accompanied the figure year after year during the grand procession that takes place on Good Friday in the historic center. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. ![]()
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